In the Light of Shadows in the Petrus Church: A Dance of Death Made of Styrofoam
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In the Light of Shadows: A Dance of Death Made of Fragile Material
In the Petrus Church Neu-Ulm, the exhibition In the Light of Shadows opens a quiet space for engaging with finitude, life awareness, and human existence. At its center are the works Fragments of a Dance of Death by Marlis Schabacker-Bock, which transform the medieval visual concept of the Dance of Death into a contemporary language of form.
Death as a Floating, Cloud-like Figure
The artist depicts death as a diffuse, cloud-like apparition. Hovering above everything, it remains present while simultaneously evading a definitive characterization. This open visual language creates a concentrated exhibition atmosphere, where observing the works becomes a personal reflection.
Styrofoam as a Material of Fragility
For her sculptures and installations, Marlis Schabacker-Bock uses Styrofoam. The lightweight, fragile material is in a tense relationship with the weighty theme. Its vulnerable surface refers to transience, while the spatial presence of the forms makes the church space a place of contemplation anew.
Art Historical Context and Aesthetic Experience
The Dance of Death is one of the most urgent visual motifs in European art history. It reminds us that all social differences are nullified in the face of death. In this exhibition, the motif does not appear as a historical illustration but as a contemporary meditation on the finitude of life. The aesthetic experience arises from the interplay of light, shadow, material, and sacred spatial effect.
A Quiet Artistic Experience in the Petrus Church
The Petrus Church provides a concentrated setting for the works. Between architecture, silence, and sculptural form, an artistic experience unfolds that connects cultural education with personal perception. Visitors encounter an exhibition that does not instruct but encourages a more conscious reflection on their own lives.
Conclusion: In the Light of Shadows connects art historical memory with contemporary sculpture and a compelling material aesthetics. The exhibition invites visitors to experience the church space with a keen eye and to reflect on transience, life intensity, and human dignity. A visit offers cultural enrichment and a lasting aesthetic experience.
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