In the Light of Shadows at the Petrus Church: Contemporary Art about Transience


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In the Light of Shadows: A Dance of Death from Fragile Forms
The exhibition In the Light of Shadows by Marlis Schabacker-Bock transforms the Petrus Church Neu-Ulm into a quiet place of contemplation. On October 31, 2026, visitors will encounter the works Fragments of a Dance of Death, which translate the medieval imagery of the Dance of Death into a contemporary language of forms.
Death as a Floating Figure
At the center is death not as a dramatic figure, but as a diffuse, cloud-like appearance. It hovers over the scene, always present yet elusive. This artistic setting opens a space for reflection on transience, lifetime, and the conscious shaping of one's existence.
Styrofoam between Fragility and Significance
As material, Marlis Schabacker-Bock uses Styrofoam. Its lightweight, porous, and fragile nature gives the works a peculiar tension: The material appears vulnerable and provisional, yet develops a strong visual presence within the installation. Forms, shadows, and spatial effects enter into a silent dialogue with the architecture of the Petrus Church.
Art Historical Context and Aesthetic Experience
The Dance of Death is one of the most compelling imagery motifs in European art history. Since the Middle Ages, it has linked the depiction of death with a social and moral reflection on the equality of all people. Schabacker-Bock incorporates this art direction and translates it into a contemporary installation, whose impact arises from reduction, material contrast, and a spiritual atmosphere.
The atmosphere of the exhibition in the Petrus Church enhances the art experience. Between sacred space heights, subdued light, and fragile surfaces, a concentrated aesthetic experience develops. The contemplation of the works gains a meditative dimension without closing itself off from a clear interpretation.
A Quiet Impulse for One's Own Life
The exhibition sees death as a reminder. Its works urge to live more consciously, intensely, and meaningfully in light of finitude. Thus, the curation connects art historical memory culture with cultural education and immediate personal experience.
Conclusion: Visitors can expect a compelling art experience between installation, sacred architecture, and contemporary engagement with transience. Those who experience art as an occasion for perception, reflection, and new perspectives should definitely visit In the Light of Shadows live at the Petrus Church Neu-Ulm.
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