In the Light of Shadows at St. Peter's Church: Experience Art About Transience


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In the Light of Shadows: A Quiet Artistic Experience in St. Peter's Church
The exhibition In the Light of Shadows transforms St. Peter's Church in Neu-Ulm into a concentrated place for viewing works of art. From October 24 to November 12, 2026, visitors will encounter the works of Marlis Schabacker-Bock, who translates a classic art historical idea into a contemporary visual language with the works Fragments of a Dance of Death.
The Dance of Death as a Timeless Motif
At the center of the exhibition is the Dance of Death, a motif that has reflected the transience of life, the equality of all people, and the urgency of conscious living since the Middle Ages. Marlis Schabacker-Bock takes up this tradition and develops an independent artistic interpretation from it. Death appears as a diffuse, cloud-like figure: floating, present, and yet not clearly graspable.
Between Shadow, Form, and Inner Movement
The works unfold their effect in a tension field of condensation and openness. Forms dissolve from the pictorial space, shadows become carriers of memory, and the atmospheric design directs the gaze toward what is essential. In the exhibition atmosphere of St. Peter's Church, the works receive a special spatial effect, as sacred architecture, light, and artistic reflection immediately intertwine.
Art Historical Context and Aesthetic Experience
The Dance of Death is one of the most poignant image traditions in European art history. From medieval wall paintings to modern confrontations with mortality and social order, the motif stands for an art that speaks directly to the viewers. The exhibition brings this tradition into a contemporary form and opens a space for cultural education, personal memory, and philosophical contemplation.
A Visit to the Exhibition as a Moment of Reflection
The artistic experience in St. Peter's Church thrives on the connection of painting, space, light, and silence. The contemplation of works invites one to read the cloud-like figures not only as symbols of death but also as a reminder to the present. The exhibition encourages a more conscious, intense, and meaningful perception of one’s own life in light of finiteness.
Conclusion: Contemporary Art in Sacred Space
In the Light of Shadows awaits art enthusiasts as a thoughtful exhibition on transience, memory, and the intensity of life. The connection of the art historical motif of the Dance of Death and atmospheric presentation makes the visit an aesthetic experience with lasting resonance. Anyone who wants to experience art as a space for thought should definitely discover this exhibition live at St. Peter's Church in Neu-Ulm.
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